Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, April 6, 2011

Jai paul saved my brain in Thailand

Music penetrates in the developing world  not at all  and you can find a Khmer jet fighter, before you walk into club that isn’t playing the sped up Thai remix of “Run this town” while you get leg raped by a bar girl or dry humped by a drunk back packer. All they play is grindy house, since innovation startles tourist looking to escape the western experience and expats that left because they couldn’t hang good music is hard to come by in South East Asia.


I was happy as hell when I found Jai Paul, since I left England for Thailand and no longer have the geographical Justification to be into dub-step. My friend Ellie put me on and I‘ve been listening to them ever since. It’s the type of music that your friends will lie about.




Jai Paul is like that little moment during sex when you are both breathing the same air. A bit of methadone to my broken system and getting a fresh injection of anything thing that sound real and relevant in a sea of grunge covers and clubbed to death remixes is a special, soul warming experience.



Monday, April 20, 2009

ShIt loRd qUesT: An Oakland Pilgrimage After Casy & Brian


The first time I saw the Religious Girls was on Halloween in Oakland and I wasn't drunk enough to have done anything I would regret. I was standing outside with an acquaintance working out how we would be heading back to San Francisco. “Fuck no, not yet...” my friend replied, and then “they haven't played yet.”

Then a naked man came running out of the apartment where the show was meant to happen.He was one of the keyboardist in the Religious Girls. I asked him about it later and he said it was the drunkest he'd ever been while playing. I hadn't seen very many naked people in Oakland that week, weather and all, so I was surprised when three more guys ran out behind him with their knobs out for an autumn evening. When I finally went inside the apartments where the bands were playing; converted stockyard storage structures passing as cheap studios, the stage was in the kitchen, a drum-set pressed up against a wall next to the fridge, the kitchen floor was a stringy mess of wires and chords and there were keyboards mounted on racks near the dining room, where people were looking for places to stand.
Their rhythms were like war drums from space and there was day-glo orange bright green war paint everywhere, by the end of the set folks in the pit bounced like walking super balls speckled like cosmic Easter eggs, grinning like a unicorn had licked their faces, bobbing up and down with their mouths open, in what used be called awe before the words mind and fucked were united in one grand descriptive verb. The show was all over too soon. I wandered out into the parking lot and found them packing a van. I started helping them pack up and leave, trying to hide my band crush. Someone said they were going to be playing in Temescal; the hipster district in the middle of Oakland where the CCA art studenst paid too for decrepit Victorians and had fuck rad parties. The second time the Religious Girls played they had mutated the living room into a fully wired stage; dozens of peddles, gaggles mics and suddenly Nick Cowman,Dylan Reznick, Guy Culver, and Chris Danko were up again sending primal vocalizations through their amps the drums, sounding like something between the Battles and Amon Tobin, sending paint through the air. On April 17 I saw them play again after getting an invite from Guy Culver I saw them play in their garage at DeepSpace, the bands home and current venue. They played after Casy & Brian who killed so hard there were kids hanging form the rafters. After they played sat around afire and tried to roast hot dogs.

Thursday, April 16, 2009

James / Cordas/ Long / Over/ Due: Do Over

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James likes to reinvent his previous work. There were experiments in medium, and content. Alterations on older pieces on exhibition that night. Clipping, snipping, and painting over them so nothing is wasted but everything is in a constant state of self-perpetuating innovation of his work. 
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Tits performed a rushed set like grenade going off in a cathedral. Maj, James, and Nick's atmospheric cacophonies and flitting vocals emanated from behind glass masks. Sounds circling a crowd of people thirty deep while James murdered his drums as Marguerite soldered her voice to Nick's keyboard melodies.
PhotobucketAfter knowing James Cordas for two years; waking up on his floor after nights of composition and decomposition, chatting back and forth about modernist reality, beer, and seeing sound, and experimental drummers, I've learned that he's worth following around.
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